Some time ago I wrote a piece about "piracy" which caused a bit of a stir and much against my original intentions I want to follow that up. Pete Rollins and Kester Brewin (who inspired the earlier discussion) have been reading a lot of the Slovenian philosopher Zizek's work and, in the absence of any other dissenting voices, I'd like to weigh in with my reasons for being suspicious. I do this hesitantly because a big drawback to the original debate was its exclusivity: there are some powerful and complex ideas swirling around and a language that is quite intimidating. One one level, this is what is urging me to write because there is a danger that one-sided complexity gives the aura of unchallenged authority...So that's by way of excuse/apology.
To give a brief intro to Zizek: first of all, he is wonderfully entertaining and fascinating. An appearance on last week's BBC Culture Show was brilliant and engaging. He's a man immersed in Hegal and Lacan but equally conversant in Star Wars and Kung-Fu Panda. One anecdote which epitomises him is that, growing up in communist Slovenia, his favourite film was The Sound of Music. The excised and edited version of the film that they were permitted to watch omitted the scene where Maria is encouraged to leave the convent by the sisters because she is clearly in love. For communist Slovenia, that demonstrated the life-affirming nature of the Catholic Church: and that was an unacceptable truth. In a post-Berlin wall world, Marx has lost his sheen and totems that reroot the world order and invert the status quo are being searched for. So far, so good. In Zizek's mischievous perversity, Jesus is the answer, Paul a radical revolutionary. If the twentieth century's moral scandal was Auschwitz, this century's symbol of crisis is Guantanemo Bay: the place that admits that the law fails... and thus the language of law, the cross, kenosis comes into play with post-Marxist cultural criticism.
It's all great stuff to engage with: big questions, wonderful shared allusions to the Christian story and faith. It's philosophy wrestling with theology...but it's still philosophy in dominance. What i mean by that is that it is a philosophy devoid of God because in this reading kenosis is not any more special when exhibited by Jesus than when it is demanded of a Western capitalist (this piece by Kester is indicative of the casual relativising of kenosis. This by pete argues that it is the laying down of distinctions that is paramount: so Jesus' distinction from us as Son of God is less important to us than his going to the cross. Thus, any number of self-sacrificing "martyrs" are redemptive for creation!). It's a reading of the Christian faith that writes out the redemptive purposes of the creator. If there is a revolution "out there", an insurrection only made possible when we give up the pretensions of our belief systems, authorities, churches, legal systems...we are actually colluding in armchair practice. It's great philosophy: but it's not the revolution of the people of God.
Here's what Rowan Williams says:
"definition matters, ultimately, so that resistance is possible to the idolatrous claims of total power that may be made from time to time in the world. Definition matters so that the Christian is free to say with conviction that the truth of the world and of humanity is not at the disposal of this or that system of political management."
Rowan's words are very similar to Zizek's. The difference (and this is my challenge to Pete and Kester) is in the very political and spiritual import of our definition: our story and the absolute and unequivocal place of Christ as the decisive point of history that frames our story. This loss of definition merely fuels armchair radicalism and iconoclism.